This week includes only works by composers I’ve never heard of before, and we’re starting it with Joseph Boulogne, Chevalier de Saint-Georges, an 18th century mixed-race, out of wedlock classical composer from the French colony of Guadalupe who was the conductor of the symphony orchestra in Paris.… Read more
This is the fifth French suite written by Bach for harpsichord in the 1720s’. Their purpose was for teaching, being practice pieces which have some complexity without being over demanding at the same time. This is most likely the reason why they were never published by Bach, keeping them for his private use as they weren’t particularly intricate or meaningful enough to present them at court.… Read more
We start the week with a comical work, a madrigal by Claudio Monteverdi set after a poem by Ottavio Rinuccini, an Italian 16th century poet considered to be the first opera librettist. In this sonnet we hear a plea to Zephyrus, the bringer of spring in Greek mythology, to come and enliven the air, the branches, the mountains and valleys, everything around our hero who goes back and forth between singing and crying, being tormented by love .… Read more
The honourable mention of the week goes to “Consolations S. 172”, a set of six solo piano works by Franz Liszt, out of which I particularly like the first four ones. They are so serene that you are immediately transposed into the realm of dreams and because their rhythm is extremely slow, you need to be in the right mood, in search of peace and tranquillity, in order to fully enjoy them.
We start the year with some big names (Bach, Beethoven) and some unknown ones for me at least, since I’m not exactly a big connoisseur in this domain.
At number 4, we have a new find for me: “O virtus sapientiae” by Hildegard of Bingen. I have to admit I’d never heard of this name before and it turns out this was a very intelligent and notable lady of the 12th century (a nun, a composer, a scientist and many other things – more details can be found in the book).… Read more