Theorbo

Lute trumps piano | CBW20

4. Das Lied von der Erde (The Song of the Earth) by Gustav Mahler
 The song of sorrow shall ring laughingly in your soul.
When the sorrow comes, blasted lie the gardens of the soul,
wither and perish joy and singing.
Dark is life, dark is death!
[…]
The heavens are ever blue and the Earth
shall stand sure, and blossom in the spring.
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Beethoven

One caprice and the knock of destiny | CBW 17

2. “Caprice in A minor, op. 1 no. 24” by Niccolo Paganini

A rather disappointing week, as I’ve enjoyed only two musical bits, to be indulgent with this particular work at no. 2. The 24 Caprices by Niccolo Paganini are notorious for their difficulty, as they explore different violin skills. Among them, the 24th one is the most difficult piece, which is why it’s so difficult to find a version that’s not scratching your ears out or that’s technically correct but avoids that mechanical and sterile sound.… Read more

Austrian delights | CBW15

3. Concerto no. 7 in F major for three pianos, K. 242 (“Lodron”) by Mozart

No honourable mention this week, we dive directly in a concert for three pianos by Mozart, which he composed especially for a countess and her two daughters. The first movement starts in a pompous manner and then slides into a merry stroll of fingers over the piano keys with a lively tempo and ending symmetrically in the same energetic fashion.… Read more

Masses, Carnivals and Opera | CBW09

Honorouble mention: “Missa prolationum” by Johannes Ockeghem

Johannes Ockeghem was a major composer of early Renaissance, having served as singer and composer in Paris, at the court of three French kings in the second half of the 15th century. Complex polyphonies, emphasis on bass lines and freely composed melodies (the norm then was to borrow pre-existing songs) are the key elements that mark him as one of the most influential musicians of his time, and “Missa prolationum” encompasses all of them.… Read more