We start the week with a man that left no important legacy, being considered more often than not as old-fashioned in his style: Sir William Turner Walton. Why are we doing this? Because I have a soft spot for wartime music, which is precisely what Spitfire Prelude & Fugue is: the score of the film The First of the Few, directed by Lesley Howard.… Read more
Johannes Ockeghem was a major composer of early Renaissance, having served as singer and composer in Paris, at the court of three French kings in the second half of the 15th century. Complex polyphonies, emphasis on bass lines and freely composed melodies (the norm then was to borrow pre-existing songs) are the key elements that mark him as one of the most influential musicians of his time, and “Missa prolationum” encompasses all of them.… Read more
Peaceful, serene, soothing … this is how this week’s honourable mention makes me feel when listening to it: “L’heure excuse” by Reynaldo Hahn, a Venezuelan composer and a prodigy child (he entered the Paris Conservatoire when he was ten years old), best known for his songs. Naturally, when it comes to a voice composition, you need a great voice to portray the beauty of the song, and Susan Graham does this superbly.
The honourable mention of the week goes to “Dirait-On”, a song from the cycle “Les Chansons des Roses” by the American composer Morten Lauridsen. This is a setting of poems by Rainer Maria Rilke, an Austrian poet who, besides being one of the most lyrical German-language poets, also wrote over 400 poems directly in French.… Read more